Hunger Games Movie: BAH!

I'VE UPDATED THIS POST. If you haven't heard, the Hunger Games series (you can read Arianna's review of the third book here) by Suzanne Collins is being made into a movie. I have to admit that I'm not a huge fan of film adaptations of books because I feel that it's rarely done well, e.g. Twilight, Eclipse, New Moon. It's important as a start off point that you get the actors right, or so I'm told. But here we are again with another young adult book being made into a movie with another actress being put into it that just doesn't fit. Jennifer Lawrence from Winter's Bone is going to be Katniss. Wrong! I hate to say this but she's just too old! Old and tall and blonde. Do I think she can pull off the whole drama thing? Mostly. Do I think it's not going to help in general though? Yes. There's also a rumor that Alex Pettyfer from I Am Number Four and Hunter Parrish from Weeds are both looking to be Peeta. Bah.

Let's be honest, I'll go see the movie. I'll probably make Arianna, Jamie, and Alanna go with me. The only expectation I have is to giggle throughout the entire thing. My assumption is that it's going to be bad, maybe it'll surprise me but I doubt it.

VIRALS by Kathy Reichs

Fifteen year old Tory Brennan is the great-grandniece of famous forensic anthropologist Temperance Brennan, whom she idolizes. Unfortunately for Tory she lives on a small island off the coast of South Carolina on a science compound affiliated with some university. She has just moved in with her rather clueless genius dad Kit and her only outlet for her grief of losing her mother are forensics, dogs, and the three other teens living on the island: Hi a sarcastic authority defying flashy dresser; Shelton, token person of color who happens to also be a techno-whiz; and Ben, sullen sixteen and supposedly a hottie. They go to a ritzy private school on the mainland, where none of them fit in (shocker). The only thing that makes school tolerable is her education, friendly cutie Jason, and her secret crush Chance the most popular and richest kid at the school (of course).

As the four kids don't like to spend additional time at school, they tend to cruise around the different islands that the university owns. Eventually they come across some dog tags and take it upon themselves to discover who they belong to. While investigating they end up in an abandoned lab, where they save a wolf dog that Tory had a 'moment' with and has a soft spot for. They discover that the dog was given a virus that infects them and after bouts of sickness their senses are enhanced and they have all developed a pack sense that allows them to communicate with one another. They end up calling themselves the Virals, because that's super original. In the mean time they are also discovering that the owner of the dog tag's daughter was murdered so they are now investigating that and people are out to get them. And if that isn't enough for you - Tory is trying to fend off the good intentions of her dad's girlfriend to get her into a debutante ball, figure out her feelings for Chance, stay away from the mean girls of the school, and not get killed.

School of Fear: Class is Not Dismissed by Gitty Daneshavari

Dear Gitty Daneshvari,

No.

Madeleine (fear of spiders), Theo (afraid something terrible is going to happen to his family), Lulu (fear of confined spaces), and Garrison (fear of water) are returning for a second summer at the School of Fear, quite against their wills. The children are convinced they've already been cured of their phobias, although that turns out not to be the case. They are joined by new student, Hyacinth (fear of being alone), as they...ummm, waste time for about 200 pages before trying to save their school from closing.

Sleepless by Cyn Balog

Eron has been a Sandman for almost 100 years. Now he will have a chance to once again become human. But Eron is concerned about his replacement, Griffin. One of Eron's charges, Julia, was Griffin's girlfriend when he was alive. And Griffin is having a hard time letting go. A really, really hard time. Eron is not supposed to have contact with the people that were his charges when he becomes human, but he is worried about Julia. Not only that, but if Griffin can't fulfill his duties as Sandman, then Eron won't get another chance to be human for another 100 years.

Bruiser by Neal Shusterman

Dear Mr. Shusterman,
No.

Fantasy is my favorite genre. I love fantasy of all kinds, from high fantasy (your Lord of the Rings, your Wheel of Times) to fantasy light (your Harry Potters), to books with fantastical elements (all those books with a kid just like you EXCEPT...). I think fantasy must be fun to write, because it allows you to create your own world and rules. As with many things, with the great power comes great responsibility. Probably the most important thing when creating a fantasy book or a book with fantasy elements, is adhering to the laws of the universe you've created. As soon as you start breaking your own universe's laws, you lose your reader. Why should I suspend my disbelief when your world doesn't make sense? Just because it's a world that doesn't actually exist doesn't mean it does not have to make sense. It does. It so, so does.

So with that being said, you can probably guess what my main issue with this book was. But first! Brewster has a bad reputation. Tennyson (yes, his name is Tennyson) is not pleased when his sister, Bronte (yes, her name is Bronte) starts dating Brewster "Bruiser" Rawlins. It's a bit confusing as to how Brewster got this violent reputation, since he's never been in a fight, or physically hurt anyone. Not even bugs. When he begins to care about people, Brewster takes on their pain. Both their physical pain, and their emotional pain. Because of this, Brewster is a loner. The more people he cares about, the more pain he'll be in.

To get right to it, the major issue I had was that it's quite clear the Brewster takes the pain of the people he cares about. Brewster's little brother is devastated that their pet bull died. He cries for a couple seconds, then is totally fine while Brewster is having a break down because he has taken his brother's sadness. Bronte twists her ankle. It hurts for a couple seconds and then Brewster is the one with the limp. It's also made clear that Brewster has to be close to the people who he cares about in order to take their pain. When Bronte figures out what's going on, she storms off and walks about a block before she can feel her anger. OK. Clear rules. Brewster takes physical and emotional pain of those he cares about. He needs to be close them to do it. The more he cares, the faster he can take their pain. Got it.

But it doesn't hold. Brewster's uncle beats his little brother, which doesn't hurt the little brother of course, but Brewster. Their uncle is angry through most of the book. But he shouldn't be, should he? Because Brewster should take his anger, just like after the scene where the uncle beats the little brother and then is all remorseful and apologetic about it and Brewster can feel himself start to take his sadness, so he leaves, because he wants his uncle to feel the sadness himself. That confused me the entire book until the very end where it was thrown in that if they really, really tried, they could keep their feelings around Brewster. But they had to really, really want to. Oh really? There was nothing to suggest that. It felt like it was thrown in.

Brewster shows Bronte his black and blue chest and torn up back from all the new friends she's introduced him to that he now cares about. But he shouldn't be all black and blue, should he? His range seems to be about a block. If Bronte could feel her anger after walking a block, and Brewster supposedly loves Bronte, and the more he cares the quicker he takes stuff, then once he gets away from those people, shouldn't they take their pain back? Unless all their friends are living in the neighborhood. Which I doubt. Or when it talked about his little brother breaking his arm and Brewster taking it, wouldn't when he went to school his little brother should get the broken arm back? This just doesn't make any sense! I could go on with the examples, but this is getting long

Sloppily done.

Besides that I had other issues with the book. Tennyson and Bronte are both self-centered snobby pains and I just didn't care what happened to them. The scene where their parents decided that the first time their daughter has her boyfriend over for dinner is the time to start yelling about how they both had affairs was ridiculous. And Brewster's sections (the book was told in the alternating points of view of Tennyson, Bronte and Brewster) were written in blank verse. Well, it was suppose to be blank verse. But just because you put odd breaks in your lines and use slightly more descriptive language then with your other characters (who sounded the same) does not a poem make. I think it was suppose to make Brewster seem deep and mysterious. It just annoyed me.

But then why should I buy in when the world that was created made no sense at all?